Friday, March 6, 2009

Shot over a minute already!

I am so excited!!!! I have shot 64 seconds of footage in the last 4 days, which is excellent considering my decrepit state of health. I can finally talk again(though I won't be karaokeing for another week or so) and I am getting my energy back.

This is a dead pig. He is made from clay, with a mix of acrylic paint and beige spray paint. You can actually see his storyboarded self in the lower left corner


in the short intro, I have some establishing shots of the farmhouse. This is one of them. The light from the window crawls up the wall and over this picture to signal a passage of time.


aha! Yes, that is the puppet, masking taped to a chunk of granite. For most of the dining room shots, you can't see the girl's feet, and also she was a tad short to make the shots work(you couldn't see her behind the table when she was standing). I was feeling a bit anxious and not wanting to deal with tiedowns in conjunction with her lack of height... so I just took this granite sample and taped her to it. The granite is very heavy so she stayed in place... and the tape was shockingly strong.


a headless farmer


Pig getting placed


I realize this all looks very sloppy,lol. Such a sad sagging backdrop... but you can't see that part in the shot.


a shot from between the dslr and the cheapo videocamera(used for grabbing frames into animator dv so I can have a reference for each move - I use the onionskinning option but don't use animator dv for anything else)


another establishing shot of the crucifix and the little kerosene lamp. there is actually a match stuck into a blob of clay BEHIND the lamp that was lit. I couldnt put the flame in the lamp, it was too small. But this way I got the flicker and reflections of light in the lamp I wanted.


the first establishing shot inside the house. This is that grandfather clock I made. The face of the clock is from a watch. The lens I am using is an opteka fisheye lens that attaches to my nikkor lens. I zoom in the give it that weird hazy circular distortion. The shot goes from a complete out of focus shot to this. The effect the lens has is really beautiful and eerie. When it is out of focus the lights and colors look like paint.


These are frames from the film, yet again I am playing around with color curves in all of them with photoshop- still deciding on what colors I want to have in the final edit. Just quick color touching.










this milk is actually hair gel mixed with white paint. It oozed beautifully to allow me to just put my camera on continuous shooting as it dribbled out of the milk pot and onto the floor. It gets knocked over by the farmer's head which the girl drops on the table after it falls off his body. Complicated. Don't try to understand now. This is a surreal video.






Next I animate her getting swallowed into the pig after being pulled in by these octopus tentacles that come out of the dead, singing, pig's mouth. Just normal stuff, you know.

5 comments:

  1. OMG I love it, I love how some of the shots are a total--- behind the scenes documentary. Like a showtime special-- behind the scenes!!!! They look amazing, so great leeb!

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  2. this is so fascinating. it's so cool of you to explain your little inside tips! i love knowing what everything is made of... the sculptor in me. :)

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  3. Excellent coverage of your work.

    thanks for shareing! Ill be back.

    jriggity

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  4. wicked cool!!!!!!

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  5. Hi Vanessa, the aesthetic in this film isn't my cup of tea but I can admire your craftsmanship and attention to detail hugely. And you actually made your film. Congratulations!

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